Giuseppe Verdi
Requiem — Alto Part
Practice the alto part for Giuseppe Verdi's Requiem with professional rehearsal audio. Listen free, or help Chord Perfect help you to improve your practice with the Pro Player.
Giuseppe Verdi
Requiem
1. Requiem
Keyboard: Space = play / pause · ← skip back · → skip forward
You’re hearing the free mix, with your part brought forward. Upgrade to Pro for Rapid Learn — a practice-ready cut of every movement with the long rests removed — plus Continuous Rehearsal Mode to play straight through, hands free, while you drive, cook, or commute. You’ll also get the full mixing desk: balance every voice, solo or mute parts, slow the tempo, and loop the hard bars.
Streaming Pro features. No download, no voucher codes.
Unlock the Pro Player for every movement
Rapid Learn
A practice-ready cut of every movement with the long rests removed, so you drill your entries without the waiting.
Continuous Rehearsal Mode
Movements play straight through, hands free. Rehearse while you drive, cook, or commute.
Loop the hard bars
Set an A–B loop over the bars that always trip you, and repeat them as many times as it takes — hands free.
Slow it down
Take a tricky run at 0.7× without changing the pitch, then bring it back up to speed as it settles under your voice.
Solo & mute, instantly
Hear your line entirely alone to perfect the notes, then mute it and sing against the others to test yourself. One tap each way.
Control the volume
Manage the volume of your part, the other voices and the orchestra to suit your practice. Emphasise your voice, push the rest back, find the balance that helps you learn.
Click along with a metronome
Turn on a click that follows the conductor’s beat, not a fixed tempo — so it stays with the music through every rallentando and pause. Four sounds to choose from, at whatever volume suits.
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Chorus
Charlotte Richardson
Charlotte Richardson is a soprano now training at the Royal Northern College of Music, following earlier study at Trinity Laban Conservatoire of Music and Dance, King's College London and a choral scholarship at Christ Church Cathedral, Dublin. Before conservatoire she spent several years touring the world as a soprano soloist with the Irish vocal ensemble Anúna. She has been selected for both the Opera North and ENO chorus mentoring schemes and sings as an extra chorus member with Opera North.
Emily Wenman
Emily Wenman is a soprano who completed her MA in Vocal Performance at the Royal Welsh College of Music and Drama under Leah Marian Jones, and now studies with Gail Pearson. She is a principal soprano with Blossom Street, the St Martin's Voices Fellowship at St Martin-in-the-Fields, the Gesualdo Consort, Seren Singers and Newman Hall Choir, and a former choral scholar of King's College London and the BBC National Chorus of Wales. An experienced singing teacher and vocal animateur, she has led projects for the BBC National Chorus of Wales, the Arts Active Trust and WNO Max.
Graham Neal
Graham Neal is a tenor who read music at the University of Surrey, winning the Robert Naylor prize, before further study on ENO's Knack course and at Trinity College of Music. His operatic work has taken him to the Royal Opera House, English National Opera, the Festival d'Aix-en-Provence, l'Opéra Comique and Grange Park Opera. As a consort singer he performs with the Monteverdi Choir, The King's Consort, Philharmonia Voices, English Voices, Sonoro, Orpheus Britannicus, the Hanover Band and Cappella Nova, and sings with the London Oratory choir.
Phillipa Thomas
Phillipa Thomas is a soprano who began in the Cantamus Girls' Choir before reading music at the University of York, where she took an MA, won the University Concerto Prize and became a founder member of Blossom Street. She continued her studies at Birmingham Conservatoire, winning the Conservatoire Singing Prize and placing as a finalist in several competitions. Alongside operatic work she remains active on the London choral scene and continues to sing with Blossom Street.
Rene Bloice Sanders
René Bloice-Sanders is a baritone who trained as a treble in Canterbury Cathedral Choir and joined the National Youth Choir in 2004. He holds a BA (Hons) from the University of Nottingham (2010) and a Master's in Vocal Studies from the Royal Academy of Music (2013), where he gained a Distinction and the Nora Carstairs Bland Award. His operatic roles include Figaro in Il barbiere di Siviglia, Marcello in La bohème, Marco in Gianni Schicchi and Belcore in L'elisir d'amore, and his concert work spans Handel's Messiah, Bach's Johannes and Matthäus Passion, Brahms' Requiem and Vaughan Williams' Sea Symphony.
Robert Jenkins
Robert Jenkins is a tenor who took his BMus (Hons) at Birmingham Conservatoire in 2012, winning the Cecil Drew Oratorio Prize, and spent five years as Tenor Lay Clerk at Birmingham Cathedral. He sings with the BBC Singers, Ex Cathedra, Polyphony, Philharmonia Voices, Siglo de Oro and the Proteus Ensemble, and with the choirs of Westminster Abbey, St Paul's Cathedral, St Martin-in-the-Fields, Chelsea Old Church and Westminster Cathedral. Alongside his choral work he maintains an active solo career and has appeared in a range of operatic roles.
Rosemary Clifford
soprano
Musical Director
Hilary Campbell
Hilary Campbell is a freelance choral conductor who founded and directs the professional chamber choir Blossom Street, and is Musical Director of Bristol Choral Society, Chiswick Choir and the Music Makers of London. Her guest conducting includes the BBC Symphony Chorus, Trinity Laban Chamber Choir, the BBC Radio 4 Daily Service Singers and the Royal Academy of Music Symphony Chorus, whom she prepared for Mahler's Symphony No. 2 under Semyon Bychkov; she also directed the P&O Ferries Choir to victory in BBC Two's The Choir. She collaborates each year with Judith Weir at the Royal Academy of Music, works as an adjudicator and workshop leader, and is a published, prize-winning composer and founding member of the Voices of London Festival.