Johannes Brahms
A German Requiem — Bass 2 Part
Practice the bass 2 part for Johannes Brahms's A German Requiem with professional rehearsal audio. Listen free, or help Chord Perfect help you to improve your practice with the Pro Player.
Johannes Brahms
A German Requiem
1. Selig sind, die da Leid tragen
Keyboard: Space = play / pause · ← skip back · → skip forward
You’re hearing the free mix, with your part brought forward. Upgrade to Pro for Rapid Learn — a practice-ready cut of every movement with the long rests removed — plus Continuous Rehearsal Mode to play straight through, hands free, while you drive, cook, or commute. You’ll also get the full mixing desk: balance every voice, solo or mute parts, slow the tempo, and loop the hard bars.
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Rapid Learn
A practice-ready cut of every movement with the long rests removed, so you drill your entries without the waiting.
Continuous Rehearsal Mode
Movements play straight through, hands free. Rehearse while you drive, cook, or commute.
Loop the hard bars
Set an A–B loop over the bars that always trip you, and repeat them as many times as it takes — hands free.
Slow it down
Take a tricky run at 0.7× without changing the pitch, then bring it back up to speed as it settles under your voice.
Solo & mute, instantly
Hear your line entirely alone to perfect the notes, then mute it and sing against the others to test yourself. One tap each way.
Control the volume
Manage the volume of your part, the other voices and the orchestra to suit your practice. Emphasise your voice, push the rest back, find the balance that helps you learn.
Click along with a metronome
Turn on a click that follows the conductor’s beat, not a fixed tempo — so it stays with the music through every rallentando and pause. Four sounds to choose from, at whatever volume suits.
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Chorus
Chris Webb
Chris Webb is a bass and former choral scholar of Clare College, Cambridge, where he also sang with the University Chamber Choir. Now a lay clerk at Southwark Cathedral, he performs with the Monteverdi Choir, London Voices, Farm Street Singers and Blossom Street, and has sung abroad with the Zürcher Sing-Akademie. His operatic roles include Colline in Puccini's La bohème for Merry Opera Company and Sarastro in Mozart's Magic Flute for Opera Anywhere; he took part in ENO's Opera Works programme in 2016–17 and studies with Alex Ashworth.
Emily Kirby Ashmore
Emily Kirby-Ashmore is a singer who trained at King's College London and the Royal Academy of Music, graduating in 2011. She has performed with Blossom Street, The London Quartet, Artis, the Southbank Sinfonia, the English Chamber Orchestra, the Monteverdi Choir and Deus Ex Cathedra. Recent solos include Handel's Dettingen Te Deum with the Southbank Sinfonia, Bach at Cadogan Hall with the English Chamber Orchestra (filmed for Channel 4's The Life of Alex), the St John Passion at St John's Smith Square, and the B minor Mass at Gloucester Cathedral.
Emily Wenman
Emily Wenman is a soprano who completed her MA in Vocal Performance at the Royal Welsh College of Music and Drama under Leah Marian Jones, and now studies with Gail Pearson. She is a principal soprano with Blossom Street, the St Martin's Voices Fellowship at St Martin-in-the-Fields, the Gesualdo Consort, Seren Singers and Newman Hall Choir, and a former choral scholar of King's College London and the BBC National Chorus of Wales. An experienced singing teacher and vocal animateur, she has led projects for the BBC National Chorus of Wales, the Arts Active Trust and WNO Max.
Robert Jenkins
Robert Jenkins is a tenor who took his BMus (Hons) at Birmingham Conservatoire in 2012, winning the Cecil Drew Oratorio Prize, and spent five years as Tenor Lay Clerk at Birmingham Cathedral. He sings with the BBC Singers, Ex Cathedra, Polyphony, Philharmonia Voices, Siglo de Oro and the Proteus Ensemble, and with the choirs of Westminster Abbey, St Paul's Cathedral, St Martin-in-the-Fields, Chelsea Old Church and Westminster Cathedral. Alongside his choral work he maintains an active solo career and has appeared in a range of operatic roles.
Vanessa Heine
Vanessa Heine is a London-based soprano who sings as a consort singer with the BBC Singers, Philharmonia Voices, Metro Voices and London Voices. Through these ensembles she has worked with conductors including Daniel Barenboim, Sir Colin Davis, Vladimir Jurowski and Esa-Pekka Salonen, and she records with Opera Rara and sings in the extra chorus at ENO. On stage she has sung the title role in Carmen and created a solo part in the premiere of Stockhausen's Mittwoch aus Licht; her voice features on soundtracks including The Hobbit, Alice in Wonderland and Pirates of the Caribbean.
Musical Director
Hilary Campbell
Hilary Campbell is a freelance choral conductor who founded and directs the professional chamber choir Blossom Street, and is Musical Director of Bristol Choral Society, Chiswick Choir and the Music Makers of London. Her guest conducting includes the BBC Symphony Chorus, Trinity Laban Chamber Choir, the BBC Radio 4 Daily Service Singers and the Royal Academy of Music Symphony Chorus, whom she prepared for Mahler's Symphony No. 2 under Semyon Bychkov; she also directed the P&O Ferries Choir to victory in BBC Two's The Choir. She collaborates each year with Judith Weir at the Royal Academy of Music, works as an adjudicator and workshop leader, and is a published, prize-winning composer and founding member of the Voices of London Festival.