Rossini’s Petite Messe Solennelle – 2nd Bass Chorus Rehearsal Aid

1792 – 1868

Rossini’s Petite Messe Solennelle – 2nd Bass Chorus Rehearsal Aid


2ND BASS VOICE EMPHASISED – ALL OTHER VOICES DIMINISHED

Gioachino Rossini  Part 1 - Kyrie
Gioachino Rossini  Part 7 - Cum Sancto Spiritu
Gioachino Rossini  Part 14 - Agnus Dei

Total combined running time for the complete Chorus Rehearsal Aid: 1:13:50


Enjoy rehearsing all of this work by paying a minimal fee of $10.00 to unlock access to all its remaining parts and to help Chord Perfect fund the recording of further rehearsal aids.

 

 

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Now you can rehearse anywhere! So, whenever you’re in the car, you can keep on practising – just download this “Master Class” Chorus Rehearsal Aid directly from Chord Perfect for just $20.00 and practice alongside any of our three chorus rehearsal formats…

With your Master Class download you will receive the following:

    1. The complete set of audio files of this Chorus Rehearsal Aid for you to use whenever and wherever you want.
    2. The FULL Concert – all parts from the same work, with all voices undiminished to help you fine-tune your performance.
    3. Instrumental Version – simply the accompaniment, with no voices – perfect for testing your memory of the piece!

We include complete step-by-step instructions on how to easily transfer your downloaded audio files onto a mobile device.
 
Hallelujah!

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Please note that Chord Perfect’s “50 Free Downloads” Choir Packs and additional “Full” Voice Concert and Instrumental Rehearsal Aids are only available for FREE when you purchase this “Master Class” Chorus Rehearsal Aid directly from Chord Perfect.

 The Instrumental Chorus Rehearsal Aid is available as a separate purchase directly from iTunes and Google-Play.


CHORISTER BIOGRAPHIES

Ben Thapa

Ben Thapa studied at the Guildhall School of Music and the Royal College of Music before graduating from the Wales International Academy of Voice in 2013 under the tutelage of Dennis O’Neill. His operatic credits include: President (Mittwoch aus Licht, Birmingham Opera/BBC Proms), Mat of the Mint (Beggar’s Opera, Royal Opera), and recently the role of Siegfried in The Quest for the Ring: scenes from Siegfried and Götterdämmerung at the Royal Festival Hall in association with Opera North. Ben has participated in a number of masterclasses, including Kiri Te Kanawa, Della Jones, Amanda Roocroft, Jonathan Dove (for Music Theatre Wales) and Graham Clark. In addition, Ben was twice a Britten-Pears scholar. Ben continues his study privately with David Pollard.

Chris Webb

Chris was a choral scholar at the University of Cambridge, where he sang with the choir of Clare College and the University Chamber Choir. He is now a lay clerk at Southwark Cathedral and sings with renowned choirs including the Monteverdi Choir, London Voices, Farm Street Singers, and Blossom Street. He has also worked extensively with the Zürcher Sing-Akademie in Zurich, Switzerland. His recent operatic roles have included Colline (Puccini La boheme – Merry Opera Company) and Sarastro (Mozart Magic Flute – Opera Anywhere), and he is a member of the English National Opera’s ‘Opera Works’ young artists’ programme 2016-17. He learns singing with Alex Ashworth.

Emily Wenman

Emily completed her MA in Vocal Performance at the Royal Welsh College of Music and Drama, where she studied under Leah Marian Jones. She now trains with acclaimed soprano Gail Pearson. Emily is a principle soprano for professional ensembles including Blossom Street, The St Martin’s Voices Fellowship at St Martin-in-the-Fields, London, The Gesualdo Consort, Seren Singers, and Newman Hall Choir, and is an ex-choral scholar of The Chapel Choir of King’s College London and The BBC National Chorus of Wales. Emily is an experienced singing teacher and vocal animateur, and has worked on projects for The BBC National Chorus of Wales, The Arts Active Trust and WNO Max.

Phillipa Thomas

Phillipa began her choral training in Cantamus Girls’ Choir, with whom she toured extensively and competed successfully. She studied music at the University of York, winning the York University Concerto Prize and, following her MA, she continued her vocal training at Birmingham Conservatoire where she was a finalist in various competitions and winner of the Birmingham Conservatoire Singing Prize. Whilst at York, she was a member of the University Chamber Choir and a founder member of Blossom Street. Before concentrating on operatic projects she was a regular on the choral circuit in London and continues to perform as a member of Blossom Street.

Felicity Davies

Felicity graduated from Trinity College of Music in 2010, where she won the TCM Vocal Contemporary Prize. She currently sings with various professional ensembles including: The BBC Singers, Ex Cathedra and The Armonico Consort yet she also enjoys having an active solo career. Oratorio includes: The Creation, Elijah, Mozart’s Requiem, The Messiah, Samson and Nelson Mass, All the Ends of the Earth (Judith Weir), Missa Angelorum (Carl Rütti) and Daniel Lésur’s Le Cantique des Cantiques at the BBC Proms in 2010. Former operatic roles have included: Olympia (The Tales of Hoffman), Zerlina (Don Giovanni), 1st Spirit (The Magic Flute), Mabel (Pirates of Penzance), Angelina (Trial by Jury), Rose Maybud (Ruddigore), La Fortuna (Giustino), Countess Almavira (Marriage of Figaro), Madame Herz (The Impressario), Lady Harriet (Martha), Susan (A Dinner Engagement) and Vagaus (Juditha Triumphans.)

René Bloice-Sanders

René began his vocal training as a treble in Canterbury Cathedral Choir, becoming a member of the National Youth Choir in 2004. Since graduating from The University of Nottingham in 2010 with a BA (Hons), he received a Distinction for his Masters in Vocal Studies at the Royal Academy of Music in 2013, where he was also awarded the Nora Carstairs Bland Award. He performs both in the UK and abroad where his operatic roles include Figaro (Il barbiere di Siviglia), Marcello (La boheme) Marco (Gianni Schicchi), Belcore (L’elisir d’amore), Orfeo (L’Orfeo) and Morales/Dancairo (Carmen) and his concert work has included Handel’s Messiah, Bach’s Johannes and Matthaus Passion, Brahms’ Requiem and Vaughan Williams’ Sea Symphony.

Musical Director: Hilary Campbell

Hilary Campbell is a freelance choral specialist, and is founder and Musical Director of professional chamber choir Blossom Street, and Musical Director of Bristol Choral Society, Chiswick Choir and the Music Makers of London. Her guest work includes ensembles such as the BBC Symphony Chorus, Trinity Laban Chamber Choir, BBC Radio 4’s Daily Service Singers, the University of Greenwich Choir and the Royal Academy of Music Symphony Chorus, whom she recently prepared for a performance of Mahler Symphony No. 2 at Royal Festival Hall conducted by Semyon Bychkov. She also runs an annual project with Master of the Queen’s Music, Judith Weir, at the Royal Academy of Music, in conjunction with Blossom Street and the RAM composition department, and is conductor of P&O Ferries Choir, the group which won the BBC2 series The Choir, and whom she met whilst filming for the series.
In addition to her regular conducting work, Hilary also acts as an adjudicator, choral workshop leader and guest conductor. She is a founder member of the Voices of London Festival, and is also a published and prize-winning composer.